Winter can be a very lonely and miserable time of year, especially if you’re homeless. Yet we live in a world where there is plenty of money and space for everyone. We are all ‘guilty’ of overspending at Christmas, wanting to be generous to our friends and relatives, but what about those with no shelter, no home, no family?
The greatest gifts humanity has is to be able to communicate, help and love each other and yet we seem to find it the most difficult thing to do! Surely this is what Christmas is about?
We challenged ourselves to write a Christmas song, in a week, with the intention of doing something positive for our community and here it is… “Christmas Crime.”
We are selling our Christmas song online and donating all proceeds to Shelter Cymru.
Please don’t sit back and ignore it, get up and make a difference. It could be you one day!
The band High Moonlight began their work in the late 90’s. At first it had a first name which was Evil Side and then Boots Goblins. The sound was more heavily encased in blues than metal itself, but they would soon begin to develop more precise and objective ideas.
If at the beginning the idea was to play covers of bands such as Sabbath, Dio, Purple and others, the focus now is also to focus on their own songs.
As with almost every band at the beginning of their journey, it was never easy to maintain a solid lineup at the beginning, so the hardest thing was having members committed to serious and focused work.
In the early 2000s the band had to cease activities returning years later with a new lineup.
In 2016 comes the first major opportunity for the band in their journey so far, which was to participate in the compilation Roadie Metal-volume 8 (Brazilian Heavy Metal Bands). Big names in national metal have already gone through this collection, Torture Squad, Claustophobia, Heaven’s Guardian, Fatal Scream are some of them.
High Moonlight’s main feature is its authentic, punctual, striking and creative guitar riffs (something that most bands have put aside a bit these days). Adding to that beautiful (and heavy) vocal melodies and inspirational solos, that’s it! This is the formula that composes and defines the band’s sound, without any obligation to the big bands of the world metal genre.
The lyrics cover conspiratorial subjects (aliens, occult government, existentialism), epic or intergalactic battles, and sometimes themes of contemporary pop culture as superheroes.
Currently the HML has been reformulated and has Robert Wagner and Robert Veck on electric guitars, Chris dos Anjos on vocals, Luciano on bass, Barreira on drums.
An issue that we really believe and speak upon as a band is equality amongst the people. We released our single ‘Divide’ about two months ago and the song means a lot to us being the first time we have ever written about something that truly isn’t from our own battle or experiences but speaking to our nation and world.
We truly care about pushing forward to live in a world where racism is in the past and it starts here at home for us. Our government and people voted a man to be the leader of our nation who in our opinion is an absolute bigot.
We believe, feel, and present ourselves as equals with every single person out there in the world. Just because someone is different than you or believes in something different than you does not make that person an enemy or someone to put down, we are all human and we all bleed red.
In such a technologically advanced society that we live in with knowledge at our finger tips it is truly time to leave these negative ideologies in the past where they belong.
Justin – I love traveling and touring is pretty much the same thing. I love being on the road, meeting new people, and experiencing different cultures. I grew up in a military household and that probably created the enjoyment I have for traveling.
Brandon – Touring is pretty nifty if I do say so myself. You get to chill in a small space with your fellow bromosexuals which causes for some choice bonding time. You get to visit cool cities and attractions that are relatively foreign to you in your natural habitat. The only thing that causes disarray is the spooky lads and ladettes you see at walmart around 2 in the morning.
Jalen – I’m a sucker for video games and medieval related anything. If I could, I’d bring my PS4 every time we went on tour. We have yet to install a t.v. in our van and we never stay in one place long enough for too much recreation, so I just stick with mobile games.
Brandon – I like to eat only the most exquisitely prepared peanut butter sandwiches crafted within our own confines.
Jalen – Taco bell. It’s cheap and usually all that’s open after our shows.
Justin – We try to go to a local grocery store and load up on food while we’re on the road. It’s much cheaper than eating fast food everyday and also healthier.
However, Taco Bell is typically on the menu. It’s like the only thing open after a gig and sometimes, those peanut butter crackers just don’t cut it.
Jalen – I’m not saying anything about social issues.
Justin – My eyes were recently opened to the incredibly negative effects that our waste products can have on our environment. I try to keep my footprint small and avoid using single use plastics as often as I can.
We typically go through a lot of water on tour, so this was a challenge. Currently, I’m bringing a few glass bottles with me on the road and I refill them with water.
Brandon – Don’t get me started on three way stop signs. They’re a menace and they need to be eradicated. They’re not making anything safer. They’re just being annoying over cautious.
Most people we’ve asked answered with a few, depending on their kind of music and this is the thing that confuses us!
While some argue that the accessibility of music now is leading to over saturation and artists getting lost among the masses, a fantastic aspect of having access to nearly every piece of music created means influences don’t have to be limited to 1 or 2 genres.
It seems the world has always defined music taste via genre – from the start of rock n roll, throughout musical history you were either…
The Boy Bands
This suggests influences can only come from one genre when for many bands, an array of genres influence them.
I have always challenged the idea that music taste must be limited by genre. Growing up my main love was nu-metal:
However, for nu-metal fans, did this mean this is all they listened to? Well, for many of my friends growing up, yes, this is all they listened to and they didn’t deviate, almost embarrassed by any other genre which baffled me! Was this the same for me? Absolutely not, every few weeks my friend and I would make a mix tape featuring the likes of:
The Sex Pistols
Flock of Seagulls
Public Image Limited
Arthur Brown’s Kingdom Come
Tony Mcphee and The Groundhogs
On a weekly basis we would be consuming all different kinds of genres and finding new weird and wonderful bands and underrated gems.
Try striking up a conversation at school about one of these! However would this be different now? Given I could load up Spotify on my phone and play someone the delights of Kingdom Come’s ‘Galactic Zoo Dossier’?
Stop for 20 seconds. Name as many musical genres as you can…
How many did you name? I’m guessing quite a few, however the question is do we even need to define music by genre anymore? Genre can be a useful reference point to explain what has influenced you and can sometimes give the audience a notion of what is to come, however summing up a band with one of these is proving more and more difficult nowadays.
We, The Notorious Lightbulbs, have been classified as Rock, Electro-Rock, Neo-Psychedelia, Heavy Rock, Electronic, Electro-Pop and this is because it depends what song of ours you have listened to.
Listen to ‘Voodoo Stripper Junkie’ and you’ll think were heavy rock with a touch of boogie, listen to ‘Far Out’ and you’ll think we’re an electronic band with not a guitar in sight, listen to some of our unreleased demos and you’ll think we’re flower power loving hippies!
There have been many artists who appear to have also adopted this mantra, taking inspiration from a whole host of musical styles. Imagine getting a new album by one of your favourite artists and not even knowing what musical style it was going to be? Some people would say risky and scary, I say exciting!
As creative folk, it’s important that we try and understand what influences us to create the things we do, and why. Ultimately, everything we are and the way we go about living our lives is a result of everything we’ve previously experienced and everything that has happened to us. It stands to reason that the things we create are just manifestations of our own interpretation of reality and the things we have experienced. I think that if you’re looking to make meaningful art and are really trying to achieve something with your art (be it money or fame or acceptance, whatever it may be) then it’s important to look inward and figure yourself out in the process. Even if that means that, at the end of the day, all you’ve found is that you really love chocolate and so you’re going to make some fancy paintings of chocolate. Even something as benign as that has the potential to reach people and to actually say something – if it’s a genuine reflection of you as a person, then it’ll give your audience a way to connect to you personally. And at the end of the day, is that not what we all crave? Genuine human connections that ultimately validate our own existence and make us feel more alive?
This is an ongoing process for pretty much all of us, as we’re constantly changing and evolving. In my case, I write heavy music. Crejuvent is my primary vehicle for this perpetual exploration. I need a project where I’m allowed to be as true to myself as possible as I seem to have a lot of unresolved issues to work through. The result is a project that’s thematically robust, although a bit jarring. It’s somewhat uncomfortable and it can put a lot of people off.
That’s pretty much how I feel all the time.
I can proudly say that the music I make as Crejuvent IS me, as it’s as honest a representation and an exploration I can construct. And the results of me putting the music out there for people resonate with me. I know a lot of respectable musicians that have listened to the music, and their thoughts are pretty much the same: “You’re a great musician, so why make something like this?” And as a result, I don’t get taken very seriously. This is very in-keeping of my subconscious need to self-sabotage any chance I have of happiness and human relationships. I’ve done it with friends, with partners, with people I care about, and I do it in my art as well.
Not out of choice, mind you. It’s just an unfortunate side effect of living with a mental illness. But in saying that, it sounds like I’m trying to skirt away from any responsibilities for my actions, and just being like “ah well, that’s just life”.
But that’s not entirely the case. I’m saying that and trying to admit that to myself as a means to improve. The first step in getting better is realising there’s a problem to begin with. And I hope that I can work through whatever issues I may have by writing angry music about it.
If you’ve listened to my music at all, or followed me on social media or whatever, you’ll notice there’s also a sense of irony and humour to what I do. That’s mostly there as a safety net. I HAVE to laugh at myself and at my issues somewhat, because the alternative would be succumbing to it and letting it take over.
The point is this: if you’re a creative person in some capacity or you’re trying to create something good and pure, then don’t compromise. As good or nasty (such as in my particular case) as the truth may be, you will only be lying to yourself and consequently to your audience by compromising. When creating, you have to surrender to yourself.
Have you ever heard about a little girl bound with the Wild Life and the
Nature’s Law? She was called Vahia, the little one. Then the child
became a woman almost forgetting the white wolf blood running into her
Once she woke up after a big life nightmare; she was in trouble. She
took her bag pack , a candle, her leather book and took a bus for « no
where ». She walked into a deep forest and just sat down under a old
tree and looked up to the sky: « So, and now? ». She was 33 years old.
And she remembered this guy, some months ago, who was looking
deeply at her; He was able to read her soul and she came to him without
any reasons she was guided.
« My name is Vahia »
« Do you know the story of Vahia? »
« No »
« She was the daughter of a native Indian chief from north of America.
Then she was kidnapped by wolves who took her into the forest. 30
years old she came back to the human life and was able to heal with all
the knowledge of Animals and Nature. Then she died at 33 years. And
she reincarnated her soul through a little girl ». And he was looking more
deeply through Vahia eyes.
Before the night seized the all forest into the dark, she closed her eyes
and felt a mystical energy ruling her mind: all the white pages of her
leather book were printed with innumerable lyrics. The blow of the white
wolf was dancing around her murmuring all that vibrations: voices of
native Indian, like warriors roars swimming on real strong drums: a
captivating orchestra coming from the deepest roots of human being.
The little Vahia became VAYA:
« He became my spirit tiara And I promised to be his princess forever » (
VAYA track extract// VAYA DOUBLE ALBUM).
The pact was done between her and the soul of the white wolf. And so
began the Legend of the white wolf named VAYA.
Till now the great spirit from the elders through its wild white wolf is
dancing on the stages by VAYA’s strong and animal voices and rough
drums surrounded by psychedelic rock music tones. VAYA wakes up
your deepest animal part, an elusive shiver into your spine.
And what’s the next chapter of this wild story? Because VAYA is able to
receive the all wild life, when she arrived into Canada, someone
knocked at her door.
« Hi, come in! »
The second Opus will be ruled by the flow of the white tiger: « A way to
integrate your full madness » ( SEXUAL track extract // VAYA SECOND
For this Automn you will discover one of its fang through a « video-short
movie », realized in Japan and recorded in Toronto at Union Sound; an
opened door on a first song of the next coming up album:
Come and have a dance between wolf and tiger: That is what defines
simply the sacred fire:
VAYA as people says « She is unique ».